MUSIC

The Lady Is A Tramp

Sunday, 29 January 2012 06:35 Alexander Borg
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Sharon Van Etten’s beautifully mourning on Tramp


It’s no secret that musicians often write songs as a form of therapeutic catharsis.  After witnessing the effects of drug abuse on those close to him, Ian MacKaye vented his rage in “Straight Edge,” a visceral sonic assault that would inspire thousands. Following his breakup with fellow musician PJ Harvey, Nick Cave released The Boatman’s Call, a somber, introspective record exploring his failed relationships and religious doubts. On Tramp, Sharon Van Etten has taken the unsteadiness and emotional toll of being without a home and crafted an album that is eclectic and emotionally powerful.

Recorded in scattered sessions at the garage studio of Aaron Dessner of The National, Tramp is a record written by a woman unsure of her place in life but absolutely in command of her songwriting.  The album opens with shimmering guitars of “Warsaw” where Van Etten asks the listener to hear her story of sorrow. Her asking is completely unnecessary however as Van Etten’s voice is absolutely mesmerizing. Her voice defined by a slight rasp, Van Etten’s voice is incredibly versatile, able to convey tremendous angst (“Serpents”) and crushing melancholy (“Magic Chords”). But the lyrics Van Etten sings are just as powerful as her voice. On “Ask,” the emotional apex of the album, Van Etten croons “Let’s find something that can last / Like cigarette ash the world is collapsing  around me / Let’s try to do the best we can.” Profound but also plain-spoken, Van Etten’s poetry maintains a haunting beauty throughout its entirety.

While Tramp is indisputably a personal record, a number of indie rock guest musicians contribute to the record. In addition to providing the recording studio and producing the album, Aaron Dessner also contributes slide guitar and arrangements that match Van Etten’s presence.  Other contributors include Jenn Wasner (Wye Oak), Zach Condon (Beirut), Matt Barrick (Walkmen), Thomas Bartlett (Doveman) and Julianna Barwick.

In summation, Sharon Van Etten’s Tramp is a powerful, engaging record with universal themes of uncertainty, pain, angst, and sorrow. While there is no shortage of tortured singer-songwriter albums out there, Tramp stands out among the rest as a work of an artist at the top of her game.  It is a unique record, and is undoubtedly deserving of your attention.

 


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